To what extent do aesthetic qualities contribute to the impact of your chosen film? Answer this question in detail; when you're back after half term, we'll do it in timed conditions as your assessment. We'll spend half an hour on it. Areas to consider: - mise-en-scene (colour palette, costume, makeup, set design) - cinematography (shots sizes, camera movements, depth of field, lighting) - impact (meaning and response; spectator; context of fascism; ideology of women's role in patriarchal society, male violence; contemporary Mexico context) - at least two key scenes (check pallet) Aesthetic qualities like mise en scene in Pans Labyrinth are used to demonise fascism as to impact the spectator into resenting this ideology, particularly seen in the pale man scene where the ideology of fascism is personified. In this scene Del Toro uses a range of aesthetic techniques as to demonise fascism, beginning with a medium close up at a side profile to the creatu...
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Auteurship
Aesthetics Themes Production Biographical details Hollywood section . Core study areas foregrounding context . Auteur Auteur: rather than generic products . How Auteurs determine look and style of a film in relation to the collaborative medium Consider: . what extent is it possible to identify the distinctive contribution of creative individuals, within a large industrial production process . how far it is appropriate to talk about these individuals as auteurs . how far it is more appropriate consider filmmaking as a collaborative process e.g. questions a) compare how far your chosen films reflects the auteurs signature features of their filmmakers...
B) Compare how far your chosen films reflect the different production contexts “Studios had faces then. They had their own style.” Billy Wilder states how, in Casablanca , we can see the Warner Bros signature style – notably, the big screen realism of the melodramatic love triangle, the elements of crime, and a charismatic male protagonist… [Having directed over a hundred films at Warner Bros, Curtiz might be considered an auteur in his own right, but there is debate over how much creative control he actually had, with the studios exerting influence over all stages of production.] Elements of Classical Hollywood film form are apparent in the opening of the film, when the spectator is introduced to the protagonist Rick Blaine, played by Humphrey Bogart. The sequence begins with an exterior establishing shot of the sign for Rick’s Bar Americain, with the camera then tilting down and tracking in to the bar itself. This technique is a key trope of Classical Hollywood, with a...

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